
I love to work with children. If a child wants to play, he or she should begin lessons around the age of 6.5 because it is important to establish hand coordination before the bifurcated brain becomes united. But lessons should not start before the child had understood the concept of symbols.
The musical notes on the page are just a shadow. When you play a piece, a spirit, or "genie," can live, i.e, every piece holds a living being. As you get to know the piece, the genie shows you more and more about its personality. Eventually, your personality merges with its personality, and something wonderful and magical happens. There's a connection, a message. This is the experience I try to help you attain.
I play jazz piano and bass, but my compositions are not really jazz. They are kind of exotic and electronic and non-western sounding with some weird sounding chords and pretty melodies. It's music I like to listen to.
One thing I've very fond of doing is playing for musicals. Whenever I get a chance to play piano or bass for a musical, I'm there. I have written two plays for my piano students and written music for them. I enjoy this very much. I would like to do more of this, if given opportunity to do so.
I teach beginners through advanced, children through adults. I have a B.A. in Piano Performance, an M.A. in Ethnomusicology, and a Ph.D in Music Education and Composition.
Served areas
- Greenville, Staunton, Waynesboro, Stuart's Draft
Highlights and features
- Jazz, improvisation, composition, advanced classical instruction, beginning.
Associations and certifications
- International Who's Who, Who's Who of American Women
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